2/19/2024 0 Comments Affinity photo plugins 2018Extra colouring using the Nik Collection plugins (in Affinity Photo).Recolour the artwork using the Tone Mapping Persona.Apply filters and adjustments (like Depth of Field, Lens Blur, Vignette, Curves, etc.).Apply extra elements (like clouds, lights, human figures, trees, etc.).My usual process when creating an illustration is as follows: Other programs I use for images and static graphics besides Affinity Photo are Blender for 3D images and models, Affinity Designer for vector graphics and the Nik Collection plugin suite. ‘Mars Recall’ by Dimitrios Sakkas Explain how you create one of your images and what apps/software you use alongside Affinity. The main features that impressed me from the beginning, was the Live Filters and the Tone Mapping Persona. Affinity Designer led me to discover Affinity Photo, and from then Affinity Photo became standard in my work process. By the time Affinity Designer was available for Windows I had to put it to the test. I am always in search of new tools and methods to boost my creativity and learn new stuff. How did you discover Affinity Photo and what impressed you about it? Computers are still a designer’s best friend but you have to experiment with different materials to keep creativity alive. Sometimes I used to create weird effects on photographs by spraying alcohol on them, resulting in mixed blurry colours. Besides that, I used photography, hand drawing and watercolours. Which tools did you use when you started out?Īs a millennial, I always had technology in every aspect of my life, so my main tools were my computer and design software. An illustrator that I admire a lot is Viktor Koen. My main inspiration was weird illustrations and outstanding visual effects in books and movies, especially the ones of the science fiction genre. Academic studies gave me the basic tools of graphic design, but personal practice was the key to everything else. Right now, I am working as a 3D modeller/illustrator and animator, something I achieved with years of hard work. “I remember forcing myself to learn a new illustration method and make 5 to 10 images in a week” I used to go to the graphic design section of a central bookstore and study new methods of making images and visuals. I used my free time to design and learn more and more stuff, I remember forcing myself to learn a new illustration method and make 5 to 10 images in a week. As I grew up, I decided to attend the graphic design program at the Vocational Senior High School and continue these studies at university. I remember asking my parents to bring me some aquarelles (watercolours) to paint with. When I was a kid, I always wanted to draw something. We had to find out more about how he creates his images… Tell us a little bit about your history as a designer and digital artist. We love how he uses a combination of 3D Software and Affinity Photo to create amazing gravity defying islands, psychedelic asteroids and dark science fiction landscapes filled with layers of depth and texture. We’re a bit in love with Dimitrios’ work-you may have seen a lot of it promoting our iPad update back in December 2017. You have to check on/off to see if it’s the right one.Dimitrios Sakkas’ surreal fantasy and science fiction landscapes caught our eye when he submitted his work to promote our Affinity Photo 1.6 update. The extra time you spend looking for the right layer in Affinity Photo® adds up and it gets annoying when you simply can’t spot the right one easily when they all look the same. In concept it is cool that the layer mask is incorporated into the adjustment layers in Affinity Photo® but it also makes it very difficult to differentiate a simple mask from an adjustment layer at a glance. Even the folders look the same as the layers inside! This can get very confusing, specially when working with complex photo composites made out of dozens of layers and layer groups. I’m talking about the fact that all layers look the same on Affinity. But I do mind how visually homogenous it is. I don’t mind Affinity’s “check” icons on the right side of the panel for showing or hiding layers just like the “eye” icons on Photoshop’s left side. Not only because it makes more sense to me but also for technical reasons about the interface of this panel. On this subject specifically I have to say I prefer Photoshop’s stacking system better.
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